Meet the finalists for the Spring 2017 SFFILM / Rainin Filmmaking Grants
We are very excited to announce the 14 finalist projects contending for the latest round of SFFILM / Rainin Filmmaking Grants! SFFILM / Rainin Filmmaking Grants are awarded twice annually to narrative features that will have significant economic or professional impact on the Bay Area filmmaking community; in this round, more than $250,000 will be distributed to narrative feature film projects at various stages of production. More than $4 million has been awarded since the launch of SFFILM’s flagship grant program in 2009. Stay tuned for the announcement of the winners in June!
Find out more at sffilm.org/makers
SPRING 2017 SFFILM / RAININ FILMMAKING GRANT FINALISTS
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The Continental
Aron Kantor, writer/director; K.M. Soehnlein, cowriter — screenwriting
A young gay Latino immigrant working at New York’s legendary Continental Baths gets swept up in the burgeoning gay rights movement and the early disco scene while navigating an affair with his married boss.
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87 Fleer
Alex Tse, writer/director; Matt Parker, Carly Hugo and Kelly McCormick producers — pre-production
In 1990s working-class San Francisco, Tony makes the jump from junior high to high school. His diverse group of friends is splintered by a whole new world of peer pressure and cliques. Alienated and angry, a series of choices send Tony down a dark path in the search for respect.
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Freeland
Kate McLean and Mario Furloni, co-writer/directors; Laura Heberton, producer — production
In the last season of black-market marijuana growing on a remote, failed commune, a mother and a daughter must reconcile their differences in order to survive in an increasingly inhospitable world.
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Jinn
Nijla Mu’min, writer/director; Avril Speaks, producer — post-production
Summer is a carefree, Black teenage Instagram celebrity whose world is turned upside down when her mother abruptly converts to Islam and becomes a different person. At first resistant to the faith, she begins to reevaluate her identity after becoming attracted to a Muslim classmate, crossing the thin line between physical desire and piety.
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Josephine
Beth de Araújo, writer/director — screenwriting
An obedient eight-year-old girl unintentionally witnesses a rape in Golden Gate Park. Unraveling with fear and paranoia, her subsequent violent outbursts put her family and classmates in jeopardy.
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The Last Black Man in San Francisco
Joe Talbot, writer/director; Khaliah Neal and Carlton Evans, producers — production
Jimmie Fails dreams of buying back the Victorian home his grandfather built in the heart of San Francisco. Now living in the city’s last, dwindling Black neighborhood with his oddball best friend Prentice, the two misfits search for belonging in the rapidly changing city that seems to have left them behind.
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Little Woods
Nia DaCosta, writer/director; Rachael Fung and Gabrielle Nadig, producers — post-production
For years, Ollie has illicitly helped the struggling fellow residents of her North Dakota oil boomtown access Canadian health care and medication. When the authorities catch on, she plans to abandon her crusade, only to be dragged in even deeper after a desperate plea for help from her sister, Deb.
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The Lusty
Silas Howard, writer/director; Antonia Crane, cowriter; L.A. Teodosio, producer — packaging
In the late ’90s in San Francisco, due to unsavory work conditions, a dynamic group of irreverent, punk, artist, feminist strippers decide to resist sex-worker stigma and confront the exploitative labor practices at The Lusty Lady Peepshow, resulting in the first successful exotic dancer’s union in the world.
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Music Moves Us
Cyrus Tabar, writer/director — screenwriting
In the near future where music is outlawed in an authoritarian state, a passionate woman and her friends in Oakland, California, throw illegal techno dance parties and broadcast on a bootleg pirate radio station to bring people together.
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Raja
Deepak Rauniyar, writer/director — screenwriting
Raja is a socially rooted police procedural and a race-against-time thriller, as well as a portrait of Nepal, a complex society on the edge of a new future.
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Refuge
Mohammad Gorjestani, writer/director; Malcolm Pullinger, producer — screenwriting
Set in 2025, a brewing cyberwar between the US and Iran puts Sonia, a young Iranian refugee and activist, at risk of deportation or internment. Her only escape may come at a greater price than she’s willing to pay.
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A Rooster on the Fire Escape
Guetty Felin, writer/director/producer; Danielle Dreis, producer — packaging
Upon coming to America, the Celestin family was hopping to leave behind the traumas of the brutal dictatorship of their tropical native land, but the sacrifices they made for their freedom create dark spiral from which they might not recover.
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Sorry to Bother You
Boots Riley, writer/director; Jonathan Duffy, George Rush and Kelly Williams, producers — production
Sorry To Bother You tells the story of Cassius Green, a black telemarketer who discovers a magical key to telemarketing success, propelling him into a macabre universe where he is selected to lead a species of genetically manipulated horse-people.
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We the Animals
Jeremiah Zagar, writer/director; Jeremy Yaches and Christina King, producers — post-production
Based on the bestselling novel by Justin Torres, We the Animals explores the beautiful and savage nature of family and the viscerally charged landscape of youth through the eyes of Jonah, the youngest son of a mixed-race working-class couple as he discovers his artistic identity.
